Salient. An Organ of Student Opinion at Victoria College, Wellington, N.Z. Vol. 4, No. 9. July 30, 1941

Thunder Struck!

Thunder Struck!

Training College featured productions are always excellently produced. "Thunder Rock" is no exception. The choice of this play at the present time, when its point is of urgent interest, was a happy one. Although it says something which is vaguely familiar to all who are aware of society's problems at the present time, it clarifies the theme with vigour and precision.

"Thunder Rock" is uneven in quality. Its first act suffers from the necessity of explaining Charleston's character, his relations with Streeter and the sympathy and antagonism between the friends. But the second act is powerful, moving deeply with fine character drawing to a thrilling climax in the last act. Certainly there are weaknesses and imperfections here too. The people from the Land o' Lakes, representing as they do, certain sociological problems, are vehicles for propaganda. But the propaganda is skilfully managed.

Stroobant carried the weight of the play with commendable ability. His interpretation was perhaps a trifle enthusiastic at first for the hardened cynic, and he evinced a tendency, in moments of great emotion, to act with the upper part of his thorax. Nevertheless his performance was almost entirely convincing.

Excellent also was Elspeth McKenzie as Melanie. Her accent and movements were above reproach.

Peter Mitchell underacted consistently as Streeter, with fairly good effect, providing a quiet foil to Charleston.

The rest of the cast was more than adequate. They managed to compensate for an appearance of extreme youth by care and caution.

Bouquet to Mr. Scott, producer.

G.R.