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Samoan Material Culture

Common types

Common types

The 'ato baskets are those in common everyday use for transporting and holding cooked and uncooked food. They are made from a single strip of coconut leaf midrib carrying leaflets running in one direction. The crossing elements have therefore to be provided by bending the alternate leaflets in the opposite direction. The open leaflet and the check technique is used. The midrib strip forms the rim of the basket and the bottom is closed by a three-ply braid. The manner in which the three-ply braid is plaited results in two varieties of 'ato named according to the braid technique; 'ato fill tasi, or 'ato fili tolu. (See Plate XII, B, 1 and 2.)

1. In the 'ato fill tasi a midrib strip twice the length of the required basket is torn off the side of a leaf, not too near the tip or the base in order to obtain even leaflets. If only one basket is to be made, the plaiter selects the left side of the leaf, as it will have natural dextrals and the plaiting will proceed from left to right. With a right strip, the natural sinistrals are plaited from right to left as in the roof sheets.

On a left sheet, the bending of sinistrals and the check plait are exactly the same as in the roof sheet; the only difference is that the leaf midrib is pared down more so that it is pliable and may readily be bent around to form the circumference of the rim. The technique of leaving the first leaflet on the left out of the first pair is also observed here. Thus, the third leaflet forms the first sinistral to be turned back and from there on the right element of each succeeding pair is turned back as a sinistral over the first element of the pair which remains in its natural position as a dextral.

When the required depth, which is greater than in the roof sheet, is obtained, the dextrals are successively bent downwards at right angles to rest on the sinistral which has been laid in the shed formed at the working edge. Each dextral is then crossed by the top working dextral as in the technique of the carrying sheet. (See fig. 81.) The reason in each case is to clear the way for the braid join. On reaching the right end of the strip the odd leaflet is left after the last pair and the midrib strip is cut off beyond it.

The two ends of the midrib strip are brought together to form the so'o page 190join and the open space between the ends is filled in at the same time. (See fig. 97.)

Figure 97.—Basket ('ato fili tasi) plait and join:

Figure 97.—Basket ('ato fili tasi) plait and join:

a, What was originally the left end is now on the right. The odd first dextral (1) on the original left has its pair made up by the odd leaflet (14) on the end of the strip on the left. This odd leaflet forms the binding element of the join. b, The strip end on the right is placed behind the other to overlap slightly so that the projecting free sinistrals on the left are parallel with the plaited sinistrals on the right. The odd leaflet (14) is pushed through the interspace on the right of the first dextral (1) and over its midrib strip. It is then drawn tightly down to draw out the slack. Its subsequent course is part of the next process of filling in the end. The marginal sinistral (13') on the left and the marginal dextral (1) on the right form the boundaries of the plaited part. Between them is a v-shaped part occupied by the free ends of the projecting dextrals from the left and the sinistrals from the right. This gap has to be filled in by plaiting the free crossing wefts. c, The six dextrals on the left form the working dextrals. To comply with the check technique, the wefts (9, 11, and 13) are raised to form a shed. The binding leaflet (14) is pulled firmly to keep the midrib ends together, brought up around the near strip and then laid in the shed as a sinistral weft. This closes in the gap shown in (a). d, The raised dextrals are straightened out over the sinistral (14) and the alternates raised to form a shed for the next sinistral, which is (2'). The check plait is continued to work in the remaining free sinistrals but with each movement the top free working dextral is turned forward to rest on the sinistral in next shed, as was done in the main plaiting. In this way the gap is filled in and the plaiting forms a collar of even depth. (See Plate XIII, B.)

Closing the bottom. The edge of the closed plaiting formed by the midrib strip margin remains unchanged as the upper rim of the basket so the other edge at which the plaiting ceased must be closed to form the bottom of the basket. From the plaiting edge, the free ends of the sinistrals project upwards and the ends of the dextrals are tucked down out of the way. The closing commences usually above the so'o join of the rim so the basket is rested on its rim and turned until the so'o join marked by the crossing of the leaflet round the rim, is away from the plaiter. (See Plate XIII, C.) The basket takes its name from fili (to braid) and tasi (one). The free ends of the wefts are plaited into one line of three-ply braid which, however, is done in two courses in the same way as the join of the carrying sheet. The first page 191course, commencing above the so'o join, works towards the plaiter. See fig. 98.)

Figure 98.—Basket ('ato fili tasi), closing bottom (first course).

Figure 98.—Basket ('ato fili tasi), closing bottom (first course).

(See Pl. XIII, C.) a, With the continuous plaiting edge approximated into a right and left side, the direction of the weft ends differ. On the right side, the free sinistral wefts (1) project towards the worker while the tucked down dextrals (3), even if pulled out, are directed away from her. On the left, the free sinistrals (2) are directed away from and the tucked down dextrals (4) towards the plaiter. The position here is slightly different to that in the carrying sheet owing to the two sides being formed from different sides of the leaf and the free projecting wefts being both directed towards the worker. In the first course of the braid, the free wefts on the right can be utilized, but on the left the tucked-down wefts must be pulled up, as required to cross with the elements from the right. b, Commencing at the far end of the approximated sides, the end free weft on the right (1) is pulled across the middle line in its natural direction. An end turned-down weft on the right (2) is crossed over it and then the second free weft from the right (3) is crossed over (2). These three wefts provide the three commencing plies of the braid and of these (1) is the back element of the working pair. c, The back ply (1) is twisted over (3) to the middle position from the left. The next turned weft (4) is shown resting on the free weft (5), which has been cut off in the figure for clearness. d, Before the turned-down weft (4) is pulled up, the free weft (5) on which it lies is pulled across the work in its natural direction. The turned-down weft (4) is then pulled up from under the crossing weft which keeps it down. It is straightened but across the free weft (5) as is natural with the check technique and laid down over the middle ply (1), with whose direction it naturally coincides. e, The back ply of the working pair (2) is now twisted over the front ply (1, 4) to the middle position. The next free weft from the right (6) is then added to the middle ply (2). The technique is now established. In the next movement, the back ply (3) will be twisted over the ply in front (2, 6) to the middle position. Before the next turned-down weft (7) is added to the middle ply from the left, the free weft (8) (cut off in figure) will be pulled up across the braid, then (7) pulled up, crossed over (8) and laid over the middle ply. f, The appearance of the first course is here evident. The free wefts from the left (2) which cannot be used have each in turn been pulled across the braid. They merely continue the check and are not incorporated in the braid. They project across the middle line of the braid but, as their direction carries them clear to the back of the working plies, they do not confuse the work. The lowest three (numbered 2) are cut off in the figure to show up the braid. On the right, the turned-down wefts (3) are shown still tucked clown out of the way.

The braid having reached the near end, the plies are plaited on for an extra turn to project as a free tail. The ends of the basket are reversed, the page 192free tail doubled over, and the second course also plaited towards the worker. (See fig. 99.)

Figure 99.—Basket ('ato fili tasi) closing bottom (second course; see Pl. XIII, D),

Figure 99.—Basket ('ato fili tasi) closing bottom (second course; see Pl. XIII, D),

a, With the basket reversed, the direction of the remaining two sets of wefts are also reversed. The free wefts which come in from the left and were pulled across the braid away from the worker are now on the right (2) and directed toward her. The turn-down wefts that were on the right are now on the left (3) and when pulled out will cross the other set toward the worker. b, The free tail is doubled over towards the worker. In this position the first turned-down weft on the left (4) is in the line of the middle ply (1). c, Though, owing to the doubling over of the braid, the middle ply (1) lies under (3) instead of over it, it does not matter for one or two turns. The turned-down weft (4) is pulled up from under its crossing weft and laid over the middle ply (1). d, The back ply (2) of the working pair is now twisted forward to the middle position. Owing again to the reversal of the free tail, it is better for (2) to pass under the front ply (1, 4) for this stroke. The first free weft from the right (5) is then laid on the middle ply (2). The free elements from the right project across the middle line and from their downward direction, they now lie, when required, under the working plies of the braid. They have therefore to be picked up on the right side of the braid, pulled up from under it and then laid on the middle ply that twists into position from the right. e, The back ply (3) is twisted forward from the left over the front ply (2, 5) into the middle position. The next turned-down weft on the left (6) is pulled free and laid on the middle ply (3). f, The established technique continues with the free wefts from the right (2) and the turned-down wefts from the left (3) alternately joining the middle ply as it twists into position from their respective sides. All twists to the middle position are over the ply in front except in the two turns at the beginning. When the second course of braiding reaches the near end and has incorporated all the weft ends, the braiding is continued as a free tail (9) for the remaining length of the material. It is finished off with an overhand knot, which is pushed through the plaiting to the inside of the basket.

Though exact wefts have been figured at the doubling over of the braid to commence the second course, the plaiter uses her judgment as to what wefts fit in with the direction of the plies. Mathematical accuracy is not attempted in practice and is not necessary.

In a basket plaited from a right hand leaf strip, the sinistrals are turned down and the dextrals project free above the plaiting edge. Though the directions are opposite to those described, it need not confuse the closing of the bottom, if the principles described above are observed. Hence, after ap-page 193proximating the continuous plaiting edge into two sides, for the first course, the set from either side that is directed towards the worker is selected. One will be free and the other tucked down, but it does not matter which side they
Figure 100.—Basket ('ato fili tolu) closing bottom (first course):

Figure 100.—Basket ('ato fili tolu) closing bottom (first course):

a, A section of the plaiting edge shows the free dextrals inclined away from the plaiter while the turned-down sinistrals are toward her even when freed from under the crossing wefts. Following the principle already established, the wefts inclined towards the worker will be used in the first course of braiding. In order, however, to start the braiding, two free wefts (1 and 2) are used for the first two plies before the first turned-down weft (3) comes into the combination. b, The first free weft (1) at the point selected for commencing is crossed over the next free weft on the right (2). They are pulled down out of the natural direction of their course. The first turned-down weft (3) to form the third ply is the one which emerges from under the second free weft (2) and which is tucked down along the course of the next free weft (4). c, Before the turned-down weft (3) is lifted, the free weft on which it lies (4) is picked up and lifted over the first two plies formed by (1 and 2). Its natural direction throws it back behind the working part of the plies. d, The turned-down weft (3) is lifted and straightened out over the free weft (4) to continue the check technique and then crossed over the first ply (1) to form the third ply in the middle position. The three plies (1, 2, and 3) are now established. All subsequent additions to the braid come from the plaiting or right side. They are taken from the turned-down wefts in order and are added to the middle ply after the back weft of the working pair has been twisted into the middle position from the right. Before a turned-down weft is added, the free dextral on which its turned-down part rests must be pulled up over the braid above and to the back of the Working plies. e, The back ply (2) is now twisted in from the left over (3) to the middle position. No elements are added to the middle ply when it twists in from the left free edge. f, The back ply (1) is twisted over the ply (2) to the middle position. As it came in from the right the next turned-down weft to be added to it is (5), which rests on (6). g, Before the turned-down weft (5) is added to the middle ply (1), the free weft (6) on which it lies is pulled over the braid. The weft (5) is then straightened out to cross over (6) and is added to the middle ply (1). h, The established technique is continued with the appearance shown. The plaiting edge is moved around as the braid continues right around the plaiting margin until it arrives back at the commencement point. The relative position of the free wefts and the turned-down weft remains the same throughout.

page 194come from respectively. Similarly on turning the braid for the second course, the remaining sets will both be directed towards the worker. In the first course, the free wefts will be from the left and the turned down ones from the right.
Figure 101.—Basket ('ato fili tolu) closing bottom (second course):

Figure 101.—Basket ('ato fili tolu) closing bottom (second course):

a, The braiding of the first course is completed when the last turned-down wefts (1' and 2') are respectively added to the middle ply from the right. After the last one (2') is added to the middle ply, the back ply with (1') is twisted in from the left to the middle position. The first free weft (4) which passed over the commencement of the braid is now to the right. It is passed under the last two wefts added to the braid (1' and 2') and then brought up over the braid to enter the middle ply (1') from the left. The weft (4) thus binds the commencement and finish of the marginal braid together and is termed the so'o (join). The mesial braid commences with the twist next to the join. Taking this as the far point, the braid is plaited down the mesial line towards the worker by adding the free wefts alternately from either side to the ply that has been twisted into the middle position from the respective sides. In this position, the projecting free wefts which were all dextrals, incline toward the plaiter on the left but away from her on the right. The difference in direction on the right makes no difference to technique, but they are simply bent back with or without a half turn to take their place in the braid. b, As the last addition was the joining weft from the left, the back ply is twisted into the middle position from the right and the next free weft on the right (6) added to the ply. Then follows a twist on the left and the addition of the first free weft on the left (7). As the braiding proceeds down the mesial line, the alternate wefts from either side (8-13) are slightly lengthened before inclusion in the braid. Past the middle of the course, they are gradually shortened again so that the elliptical marginal braid is not closed in too much at the sides. In this way a somewhat rounded bottom is given to the basket, which contrasts with the single braid basket. When all the free wefts have been used up, the braid is continued on as a free tail, knotted at the end and thrust through the bottom of the basket to the inside. (See Plate XIII, E and F.)

2. The 'ato fili tolu, differs merely in the method of closing the bottom. Of the two sets of free weft ends at the plaiting edge, one set is used to form a marginal three-ply braid round the plaiting edge. This forms a circular opening which, however, owing to the tightening up of the plies, is very much smaller than the rim opening. When the first course of marginal braiding reaches the commencement point, the other set of free wefts are added to the three ply braid from either side in such a way as to bring the braid down the mesial line. Owing to the pulling in of the wefts of the second page 195course the marginal circle becomes altered to a long ellipse. Looking at the bottom from within, the braided sides of the ellipse with the mesial line of braid gives the appearance of three braids. Hence, the name of the technique applied to the basket, fili tolu (three braids).

The type described (fig. 100) was made from a right hand leaf, not from preference, but because the left hand leaf strip had been used to make the previous type. It is described here in preference to the normal left hand strip to demonstrate the adaptability of the technique. The first course commenced above the so'o join at the rim.

The so'o join. Reference back to figure 100 f shows that the turned down weft 3 was the first used in the braid. The dotted course shows the position it previously occupied. Above it are the turned down wefts (1') and (2') which are turned down on the course of the two free wefts (1) and (2) which form the first two plies of the braid. Also the free weft (4) is the first of the series of free wefts that were pulled out over the braid. (See figure 101.)

The 'ato baskets are made of green leaves and discarded when dry, as they become brittle and weak. The green basket is termed 'ato mata (mata, green) and the old dry basket, 'ato 'ato. The single braid basket is termed 'ato fili tasi from its technique and 'ato fu'e umu from its important use as a receptacle for the cooked food after the oven is opened (fu'e umu). The elliptical bottomed basket is 'ato fili tolu from its technique and 'ato 'ave 'avenga from its principle use in carrying burdens ('avenga) from the cultivations. It is also termed 'ato toli 'ulu from its particular use in carrying breadfruit (toli, to pluck, and 'ulu, breadfruit). The technique of the bottom is said to have been introduced into Samoa from Niue and the basket gets the additional name of 'ato fa'aniue (made after the Niue style). The 'ato baskets are also termed 'ete [Cf. Maori, kete] but 'ato is in more common use.